NONFICTION FOR ADULTS

Magic of the Celtic Gods and Goddesses
by Carl McColman and Kathryn Hinds
New Page Books, 2005

 

Magic of the Celtic Gods and Goddesses, a guide to learning and living with the mythology of Ireland, Wales, and other Celtic countries, presents the stories and lore of some of the major Celtic deities, with suggestions for honoring them today. The authors have based their work on research into scholarship and primary sources as well as on their own experiences and insights. This book makes an ideal introduction to Celtic deities and spirituality and also provides food for thought to experienced seekers along these paths.

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Reviews

". . . one of the most well-thought-out books on Celtic mythology on the market. . . . Fascinating folklore, ideas for ritual and sabbat workings, and a lively conversational style make Magic of the Celtic Gods and Goddesses an entertaining and insightful guide into the world of Celtic deities. I am impressed with the detailed renderings of the myths and lore of Celtic gods and goddesses. The authors provide useful understandings yet leave room for personal interpretation. They do not spoon-feed readers opinions, but offer anthropological and historic information and entice readers to engage in individualized research on deities of their choice."

--New Age Retailer

"Magic of the Celtic Gods and Goddesses . . . provides readers with an overview perspective to their spiritual potentials and healing energies, tracking down often-elusive details for a non-academic audience seeking tips based in fact. Research and spirituality blend in an overview of Pagan deities, rituals, and exercises. Magic of the Celtic Gods and Goddesses is an impressively organized and presented reference for personal and academic Metaphysical Studies collections."

--Midwest Book Review


"The authors have presented one of the first popular efforts to explain the Irish and Welsh Gods in a way that Neopagans will understand and appreciate. The book is written with a moderately reconstructionist sensibility that helps break down modern misunderstandings of Celtic lore, but it maintains a friendly and instructive voice that doesn't put the reader off. Scholasticly sound without being stuffy, and spiritually aware as well. Recommended."

--Ian Corrigan


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Table of Contents

(initials indicate the author of each chapter--because some readers have asked!)

Part One: Introduction
1. Entering the Otherworld--CM
2. An Overview of the Celtic Tradition--KH
3. What This Book Does and Doesn't Do--CM

Part Two: Goddesses and Heroines
4. The Mothers: Threefold Soul of the Earth--KH
5. Anu and the River Goddesses--CM
6. Brigit: The Exalted One--CM
7. The Morrigán: The Phantom Queen--CM
8. Medb: She Who Intoxicates--CM
9. Macha: Goddess of Many Lives--CM
10. Rhiannon: The Great Queen--KH
11. Ceridwen: Keeper of the Cauldron--KH
12. Arianrhod: The Lady of the Wheel--KH

Part Three: Gods and Heroes
13. Cernunnos: Master of the Hunt--KH
14. The Dagda: The Big Father--CM
15. Manannán and Manawydan: Lords of the Mist--CM (Manannán) and KH (Manawydan)
16. Lugh and Lleu: Gods of Strength and Skill--CM (Lugh) and KH (Lleu)
17. Oenghus: The Young Lover--CM
18. Cú Chulainn: The Hound of Ulster--CM
19. Gwydion: The Trickster-Magician--KH
20. Brân: Guardian of the Land--KH
21. Taliesin: The Divine Poet--KH

Part Four: Goddesses and Gods in Our Lives
22. The Mysteries and the Virtues--CM
23. Putting Devotion into Practice--KH
24. Storytelling and the Living Tradition--KH

Excerpts

To the ancient Celts, the land on which they lived was holy, full of the spirit of the divine. The landscape, with its hills and streams, was the visible manifestation of sacred power, the outer garment of the spirit that dwelled within. This land, this spirit, was the great bearer and nurturer of the people. And so the land was often called Mother.

In the Celtic tradition, what is powerful once is all the more powerful in threes. The ancient Celts (like many peoples) invested certain numbers with mystical significance, and the number three was primary among these. We may never fully understand all that it meant to the Celts, but we can make educated guesses about much of its symbolism. As the sum of the first two numbers, three signifies completion. The mating of female and male produces a third being, making three the number of manifestation. Time is perceived as a triad of past, present, and future, and so three symbolizes the unity of time--as it does of space (underworld, earth, and the heavens; land, sea, and sky; above, below, and here; etc.). The number three indicates exponentially increased power: any image, utterance, or action is magically intensified by being repeated three times.

All of these ideas--and more, no doubt--are present in the triple image of the Mothers, perhaps the most widely honored deities in the ancient Celtic world.

* * *

Ceridwen lived with her husband, Tegid the Bald, at the Lake of Tegid in north Wales. They had two children. Their daughter, Creirwy (meaning "light," "beautiful," or "lively treasure"), came to be known as one of the Three Fair Maidens of the Island of Britain. Morfran ("great raven"), their son, was said to have been so ugly that he was called Afagddu, "utter darkness." He was covered with coarse hair, so that people thought he looked like a stag or a demon.

Because of Morfran's appearance, Ceridwen worried that he would have great difficulty making his way in the world and taking his proper place among the noble warriors of Britain. She decided to use her knowledge and her arts to create a potion that would give him wisdom and the spirit of prophecy. At the proper days and at the proper times, she gathered all the necessary herbs, and put them into a cauldron of water. The potion had to be boiled for a year and a day. During this time, Ceridwen kept busy continually gathering and adding more herbs, as well as pouring in fresh water. She had an old blind man and a lad named Gwion Bach ("Little Gwion") to feed the fire under the cauldron and to stir the brew.

At the end of the year and a day, Ceridwen positioned Morfran beside the cauldron to await the three precious drops of potion that were due to spring forth; they would contain all the concentrated virtue of the herbs, and whoever they landed on would receive the gifts of wisdom and prophecy. At the last moment, however, Gwion Bach shoved Morfran out of the way and received the three drops instead. The cauldron itself cried out at this and shattered.

Gwion fled, with Ceridwen in hot pursuit. Gwion turned himself into a hare, that he might run faster, but Ceridwen became a greyhound. Coming to a stream, Gwion took the form of a fish; Ceridwen pursued him as an otter. Gwion took to the air as a bird, and Ceridwen turned herself into a hawk. At last, Gwion changed into a single grain of wheat, concealed in a pile of grain upon a threshing floor. Then Ceridwen became a great black hen. She scratched and pecked at all the wheat until she found the transformed Gwion, whom she swallowed down.

The seed grew in Ceridwen's womb, and nine months later she gave birth to a baby boy. She did not want to raise him, but he was so beautiful that she could not bear to destroy him. So she put him into a little coracle or hide-covered basket-boat, and set him adrift on the waters. Soon he would be found and begin a new life as Taliesin, the archpoet of Britain.

* * *

One of Manawydan's roles in the Third Branch is as defender of the harvest. This makes any of the autumn harvest festivals a good time to honor him. Planting time, too, is an appropriate occasion to call on Manawydan. Grains and grain products are under his aegis, so it is good to use these in any ritual dedicated to him.

Even if you don't have a farm or a garden, Manawydan's protection of the harvest can still apply to you. All of us depend on food that is grown on farms and in gardens, perhaps in our own neighborhood, perhaps far away in another county, state, or even country. No matter; that food still comes from the labor of people working the earth. We can honor Manawydan by remembering to be thankful for our food and for the work of those who produced it. Moreover, like Manawydan, we are all stewards of the earth, and there are many ways for us to express this: composting, recycling, growing or buying organic produce, and so on. Harvest has another meaning, too, as the result of our labors in whatever field--not just in terms of our job and/or creative endeavors, but in terms of our relationships, our spiritual quests, or what have you. Manawydan can help us with seeing our projects through to completion, and he can help us protect the special things that we have worked for.

The word work has come up quite a bit in this discussion of Manawydan, and for good reason. We like to think of him, in one of his aspects, as the god of Right Livelihood. He's a provider, and he's not afraid of hard work. He sees the honor even in humble jobs and does them to the best of his capability. Whether he's functioning as a ruler, an artisan, or a farmer, he's doing what needs to be done, and doing it with the utmost integrity. Obviously, Manawydan is a wonderful god to look to when we are wrestling with issues of work and of earning a living.

Finally, perhaps one of Manawydan's greatest lessons for us lies in his "profoundness in counsel." He reminds us that the voice of experience is worth listening to--and of the value of growing into our own maturity and experience. He cautions us to pay attention to our situation and our surroundings. We should evaluate perceived threats carefully and not jump to conclusions. We should cultivate creative thinking and learn to recognize opportunities for positive action. And here's one more motto for Manawydan and for those who would follow in his footsteps: Learn to choose your battles.

A BRIEF GUIDE TO WELSH GODDESSES AND GODS

Here are most of the major figures of Welsh mythology, with approximate pronunciations of their names, brief characterizations, family memberships (where applicable), and the stories or poems in which they can be found (* indicates one of the Four Branches of the Mabinogi). The pronunciations, I'm told, are pretty much in the dialect of South Wales; the names would sound somewhat different in the North Wales dialect. The characterizations are meant only as a point of entry to understanding these deities, whose mythological roles generally go well beyond anything that can be indicated in a single phrase.

  • Amaethon (ah-MÍ-thohn). god of agriculture. son of Dôn; brother of Arianrhod, Gwydion, and Gofannon. Cad Goddeu.
  • Arawn (AH-rown). a lord of the Otherworld. Pwyll Prince of Dyfed.*
  • Arianrhod (ah-ree-AHN-rhohd). queen of heaven. daughter of Dôn; sister of Gwydion, Amaethon, and Gofannon; mother of Lleu and Dylan. Math ap Mathonwy.*
  • Blodeuwedd (blo-DOY-weth). flower maiden. created by Math and Gwydion. Math ap Mathonwy* and Cad Goddeu.
  • Brân (BRAHN). giant warrior king. son of Llyr; brother of Branwen and Manawydan. Branwen Daughter of Llyr.*
  • Branwen (BRAHN-wen). one of the three chief ladies of Prydain (Britain). daughter of Llyr; sister of Brân and Manawydan. Branwen Daughter of Llyr.*
  • Ceridwen (keh-RID-wen). goddess of the cauldron. mother of Morfran (Afagddu), Creirwy, and Taliesin. The Story of Taliesin.
  • Cigfa (KIG-vah). earth maiden. wife of Pryderi. Manawydan Son of Llyr.*
  • Dôn (DOHN). mother of deities. sister of Math; mother of Arianrhod, Gwydion, Amaethon, and Gofannon.
  • Dylan (DIH-lahn). a god of the sea. son of Arianrhod; twin brother of Lleu. Math ap Mathonwy.*
  • Goewin (goh-AY-win). footholder of kings. Math ap Mathonwy.*
  • Gofannon (goh-VAHN-nohn). god of the forge. son of Dôn; brother of Arianrhod,
  • Gwydion, and Amaethon. Math ap Mathonwy.*
  • Gwawl (GOOAWL). suitor of Rhiannon. Pwyll Prince of Dyfed.*
  • Gwydion (gooih-DEE-uhn). poet-wizard. son of Dôn; heir of Math; brother of Arianrhod, Amaethon, and Gofannon; foster father of Lleu. Math ap Mathonwy* and Cad Goddeu.
  • Hafgan (HAHV-gahn). a lord of the Otherworld. Pwyll Prince of Dyfed.*
  • Lleu Llaw Gyffes (TLAY-ee TLAH-oo GUH-fehs). the young lord. son of Arianrhod; foster son of Gwydion. Math ap Mathonwy.*
  • Llyr (TLIR). a god of the sea. father of Brân, Branwen, and Manawydan.
  • Manawydan (mah-nah-OOIH-dahn). master of arts and crafts. son of Llyr; brother of Brân and Branwen; husband of Rhiannon. Branwen Daughter of Llyr* and Manawydan Son of Llyr.*
  • Math ap Mathonwy (MAHTH ap mah-THOHN-ooee). king, teacher, and wizard. brother of Dôn; uncle of Arianrhod, Gwydion, Amaethon, and Gofannon. Math ap Mathonwy.*
  • Pryderi (prih-DEH-ree). youth and warrior. son of Rhiannon and Pwyll; husband of Cigfa. called Gwri (GOO-ree) as a child. The Four Branches of the Mabinogi.
  • Pwyll (POOITH). king, and friend of the Otherworld. husband of Rhiannon; father of Pryderi. Pwyll Prince of Dyfed.*
  • Rhiannon (rhee-AHN-nohn). horse goddess. wife of Pwyll, then of Manawydan; mother of Pryderi. Pwyll Prince of Dyfed* and Manawydan Son of Llyr.*
  • Taliesin (tal-ee-AY-sin). divine poet. son of Ceridwen. called Gwion Bach (goo-EE-uhn bahkh) in his previous life. The Story of Taliesin.

excerpts copyright 2005 by Carl McColman and Kathryn Hinds

extras copyright © 2006-2008 by Kathryn Hinds